"The Dog Said Bow-Wow" by Michael Swanwick
"The Wind from a Dying Star" by David D. Levine
"The Guy with the Eyes" by Spider Robinson
The story takes place in a Victorian-like future, after a war between humans and artificial intelligences. The humans won. Sir Blackthorpe Ravenscairn de Plus Precieux (or "Surplus" for short) is a genetically engineered talking dog who, with his sidekick Darger, have a con in mind. Entertaining, funny, and very peculiar.
"The Wind from a Dying Star" is the first story in David D. Levine's collection called Space Magic. It's an interesting tale about some interstellar explorers that I thought were some kind of energy beings, but I found this note by Levine that tells me that the people in the story are "actually solid matter, a mix of biological and technological materials, though they use 'fields' to manipulate things and 'motivators' to get around." They are the further evolution of humans, actually, and I will read the story again in that context. I'll be reading the rest of this collection next week, hopefully, which hardly seems fair to Jenny! I received the eBook version of Space Magic to review over at LibraryThing as part of the Early Reviewers program, which makes me ridiculously happy.
Here's a quote I really like: "Shared pain is lessened. Shared joy is increased. Thus do we refute entropy."
--Spider Robinson
That is a very short description of Spider Robinson's Callahan stories, and why I adore them. In world where we hear much bad news, these stories serve as a reminder of how we humans ought to treat each other. "The Guy with the Eyes" is the first Callahan story, published in Analog Science Fiction by Ben Bova in February, 1973. Callahan's Place is a bar where people bring their problems, and others are there to listen and share their pain. There are also puns. Ben Bova's Foreword in the paperback version of Callahan's Crosstime Saloon is called "Spider Robinson: The SF Writer as Empath". Indeed! Terrific stories. "The Guy with the Eyes" is five-star.
This puts me at 12 stories for the year so far. At this rate, I will reach only 168 and almost a half. I am pacing myself like Lance Armstrong in the Tour de France. Except without the drugs. Unless you count coffee as a drug, in which case I better schedule my interview with Oprah!



I dwell in possibility, Emily Dickinson writes in the first line of Jane Yolen's poet-meets-alien story called "Sister Emily's Lightship". In the story notes included in Sister Emily's Lightship and Other Stories, Yolen says she got the idea for the story after reading a Dickinson poem with a line about a "band of stars". A nice idea for a good story. I loved Emily's answer when asked by the alien about what she does in this world. "I tell the truth," she said. "But I tell it slant." This won the Best Short Story Nebula Award in 1998.
The Giver by Lois Lowry is a short dystopian YA novel that is one of the best stories I've read for a long while. In a review that I'm nearly finished with, I call it a "thought experiment". The story inspires a person to think about what things could be done to make sure that we humans treat each other better, what the consequences of those things might be, and ultimately what kinds of things are people willing to sacrifice to avoid pain. The society in the story is extreme. No pain allowed; but also, no joy. Puberty causes conflict, so the moment a citizen has "stirrings", he or she is put on pills to curb the effects. All kids are treated exactly the same. When they are little, they are given comfort objects, when they are a certain age, they are given a bicycle, etc. There's no room in this society for people that don't fit. Those people are "released", but no one in the society knows for sure what that means.
Theodore Sturgeon also expresses a sort of disdain for the society he finds himself in, or at least the main character in his famous story, "Slow Sculpture", does. It's a good story about an innovator who has devised a cure for cancer. He's visited by a woman that needs his procedure. The most striking aspect of the story is a very large bonsai tree in the courtyard of his home which becomes an object of contemplation for the characters. In that contemplation lies Sturgeon's point, which is something like: "Why don't people listen more to the smart people?" The solution offered is that the smart people ought to shape society the same way a bonsai tree is shaped. Slow sculpture. The story won both the Hugo and Nebula Awards in 1970/71.
Last up this week is "Father Gaetano's Puppet Catechism" by Mike Mignola and Christopher Golden. Mike Mignola is the creator of Hellboy. I haven't read any Hellboy comics, but have seen and liked some of the art, and have seen and liked very much Guillermo del Toro's two movies. I listened to this one, since it arrived at SFFaudio for review. Nick Podehl narrated. I see that the description of the novella at Amazon says that it's an "illustrated novella", so I'll have to check out the art when I run across a copy. In short, it's a good novella about an Italian orphanage in World War II. Father Gaetano and the nuns at the orphanage, in an effort to connect with the children, makes use of a puppet stage that had been abandoned in the basement. He uses the puppets to teach Bible stories, first painting them to match the characters they are to portray. The problem is, these puppets come to life at night, like we know puppets do, and they take on the persona of the Biblical characters they were painted to resemble. It wasn't the best idea to paint one as the fallen angel Lucifer.
In 1966, Richard McKenna (1913-1964) won a posthumous Nebula Award for Best Short Story. The story was "The Secret Place", and it's first appearance was in Damon Knight's Orbit 1. I don't believe I've read a Richard McKenna story before, but I enjoyed this one. It was about a World War II soldier who was given the job of keeping his eye on an area of desert in Utah where a Uranium rock was found. Despite the military's efforts, no further treasures were found there. The soldier's job was to drive the property every day with a geiger counter, and to accomplish this the military gave him an office and a secretary. The secretary, though, had a strange connection with the property. When she went outside, she saw a completely different place.
We're watching The Day the Earth Stood Still (1951) over at 

