Showing posts with label man booker international. Show all posts
Showing posts with label man booker international. Show all posts

Thursday, April 22, 2021

Review: At Night All Blood is Black

At Night All Blood is Black At Night All Blood is Black by David Diop
My rating: 4 of 5 stars

This is an incredibly violent book but I imagine it will be included in the Booker International shortlist (I was right,) because the language is vivid and tight, the story is not one I've read before (Senegalese soldiers fighting for France in World War I,) and it has this underlying rhythm with short chapters and repeated phrases that serve to whip it up to the frenzy of the end. But then it's like you as the reader are a part of what happens, and this is not a good feeling.
"Yes, I understood, God's truth, that on the battlefield they only wanted fleeting madness. Madmen of rage, madmen of pain, furious madmen, but temporary ones. No continuous madmen. As soon as the fighting ends, we're to file away our rage, our pain, and our fury. Pain is tolerated, we can bring our pain home on the condition that we keep it to ourselves....Before returning home, we must denude ourselves of rage and fury, we must strip ourselves of it, and if we don't we are no longer playing the game of war. Madness, after the Captain blows his whistle to retreat, is taboo."
CW for war, murder, dismemberment, rape, racism. The trench is referred to repeatedly as female anatomy, and since the author uses repetition as a tool, if something is going to bother you once, it is likely to repeat. I mean, would it kill translators to select a book about an old lady planting a garden? Reading a lot of translated lit takes you into some dark places.


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Wednesday, April 21, 2021

Review: An Inventory of Losses

An Inventory of Losses An Inventory of Losses by Judith Schalansky
My rating: 3 of 5 stars

Knowing what to say about this book will be a struggle. It is long listed for the Booker International Prize, which was confusing at first as I thought it was non-fiction. The author takes a list of places or things that are lost to us, researches it, and writes a one sentence overview followed by a fictional account that pulls the reader inside the place or time. (In the book, the sections are divided by black paper, and the preceding black page has an image also in black that hints of the content to come. The author is known for her book design, so this is one to look at in print. You may also know her, as I did, from Atlas of Remote Islands.)

I found myself drifting off, skimming. The topics were not always the most interesting, and to me the fictionalization (which might have a more proper term) was indulgent. Dree-in-Goodreads and I discussed how the style would shift - her fiction uses too many adjectives and is unnecessarily verbose, while when she is writing in a non-fiction style, it is clean and more direct. Is this a side effect of the language of German, or does this reflect a shift she intended? I was deeply invested in her preamble, where she discussed the long list of things that were lost in various ways while she wrote this book. It went downhill from there, with brief peaks of interest for the religious texts of Mani and the Palace of the Republic, both of which I was interested in from a topical standpoint, although the "story" in the Mani section was not very successful. It just took me back to the year I was obsessed with Gnosticism.

The book is an odd bird. It seems more suited to something like the Goldsmiths Prize, which is all about experimental literature. It did not carry the heft of a novel, nor was it intended to, and this puts it in strange company for the Booker International Prize.

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Tuesday, September 8, 2020

Reading Envy 199: Awkward Melacholy with Karen

Karen returns to chat books, and we talk about how we met the Reading Envy Summer Reading challenge, the awkward melancholy of books we are drawn to in dark times, and the translated standalone graphic memoirs that seem to call to each of us.

Download or listen via this link: Reading Envy 199: Awkward Melancholy

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Books discussed:

     

Broken Harbour by Tana French
Transit by Rachel Cusk
5,000 Kilometers Per Second by Manuele Flor
Today is the Last Day of the Rest of Your Life by Ulli Lust, translated by Kim Thompson
Luisa: Now & Then by Carole Maurel
The Discomfort of Evening by Marieke Lucas Rijneveld, translated by Michele Hutchison


Other mentions:

Dublin Murder Squad series by Tana French
Outline series by Rachel Cusk
War and Peace by Leo Tolstoy
The Last Policeman trilogy by Ben H. Winters
Broadchurch (tv show)
Alexandria Quartet by Lawrence Durrell
Fantagraphics in Hoopla
Shine, Pamela! Shine! by Kate Atkinson
Just Like You by Nick Hornby
The Searcher by Tana French
The Survivors by Jane Harper
Siete Casas Vacias by Samantha Schweblin
Little Eyes by Samantha Schweblin
Such a Fun Age by Kiley Reid
The Margot Affair by Sanaƫ Lemoine
Harrow the Ninth by Tamsyn Muir

 
Related episodes:

Episode 004 - Home, Frightening and Banned with guest Karen Acosta
Episode 015 - The Time for Exclaiming Over Costumes with Jean and Karen
Episode 051 - Dreaming in Books with Karen Acosta
Episode 066 - When Time Stops with Karen Acosta
Episode 101 - A Different Kind of Time Travel with Karen Acosta
Episode 114 - Raised by Wolves with Karen Acosta
Episode 146 - Complicated, Crazy, and Loud with Karen  
Episode 151 - The Stories They Tell with Karen
Episode 161 - Women in Translation Month Recommendations with Lauren
Episode 166
- On Brand with Karen
 

Stalk us online:
Jenny at Goodreads
Jenny on Twitter
Jenny is @readingenvy on Instagram and Litsy



Tuesday, September 10, 2019

Reading Envy 165: Delightful Reads with Claire Handscombe

Claire Handscombe joins Jenny to discuss recent reads, bookish podcasts, and Claire talks about what brought her to DC, her writing project, and the bookseller's life. Be sure to check out Claire's podcast, blog, and books, all linked at the end of the shownotes.

Download or listen via this link: Reading Envy 165: Delightful Reads with Claire Handscombe

Subscribe to the podcast via this link: Feedburner
Or subscribe via Apple Podcasts by clicking: Subscribe
Or listen through TuneIn
Or listen on Google Play
Listen via Stitcher
Listen through Spotify


Books discussed:



Daisy Jones and the Six by Taylor Jenkins Reid
Flights by Olga Takarczuk; Translated by Jennifer Croft
The Bookish Life of Nina Hill by Abbi Waxman
The Poppy War by R.F. Kuang
Summerlings by Lisa Howarth
Frankissstein by Jeanette Winterson


Other mentions:

Reading Glasses podcast
Book Riot "main" podcast
East City Bookshop
Forever, Interrupted by Taylor Jenkins Reid
Evidence of the Affair by Taylor Jenkins Reid
Homesick by Jennifer Croft
Drive Your Plow Over the Bones of the Dead by Olga Takarczuk
Piglettes by Clementine Beauvais
Why Be Happy When You Can Be Normal? by Jeanette Winterson
The Rehearsal by Eleanor Catton
The Traveling Cat Chronicles by Hiro Arikawa
Fleishman is in Trouble by Taffy Brodesser-Akner
Trust Exercise by Susan Choi
Mina by Kim Sagwa, translated by Bruce and Ju-Chan Fulton


Related Episodes:

Episode 155 - Books About Music Recommendations Episode with Thomas


Stalk us online:

Jenny at Goodreads
Jenny on Twitter
Jenny is @readingenvy on Instagram and Litsy
Claire on Twitter
BritLitPodcast on Twitter
Link to UNSCRIPTED
Link to WALK WITH US: HOW THE WEST WING CHANGED OUR LIVES 

Tuesday, May 22, 2018

Reading Envy 119: Bread and Butter Writing

Paula, known as Centique in Litsy, joins me from New Zealand to talk books. Paula tends to read backlisted titles, because she is devoted to her TBR list. We talk translations, gloomy books, and cuteness.

Download or listen via this link: Reading Envy 119: Bread and Butter Writing.

Subscribe to the podcast via this link: Feedburner
Or subscribe via Apple Podcasts by clicking: Subscribe
Or listen through TuneIn
Or listen on Google Play
Listen via Stitcher


Books Discussed:



Doomsday Book by Connie Willis
Land of Love and Ruins by Oddny Eir
Kafka on the Shore by Haruki Murakami
Buttermilk Graffiti by Edward Lee
Middlesex by Jeffrey Eugenides
Die, My Love by Ariana Harwicz

Other Mentions: 

Blackout by Connie Willis
All Clear by Connie Willis
To Say Nothing of the Dog by Connie Willis
Hugo Awards
Nebula Awards
1Q84 by Haruki Murakami
The Wind-Up Bird Chronicle by Haruki Murakami
Top Chef (tv show)
The Mind of a Chef (tv show)
Smoke and Pickles by Edward Lee
Fever Dream by Samanta Schweblin
Tournament of Books
The People in the Trees by Hanya Yanagihara
A Little Life by Hanya Yanagihara
The Eight Mountains by Paolo Cognetti
The Girls of Atomic City by Denise Kiernan

Stalk us online:

Jenny at Goodreads
Jenny on Twitter
Jenny is @readingenvy on Instagram and Litsy
Paula is @centique on Litsy

Sunday, March 19, 2017

Library Books Mid-March 2017

This month's library piles see the clear influence of award lists, because it is the season indeed!

The Mindfulness Diaries: How I Survived My First Nine-Day Silent Meditation Retreat by Jennifer Howd

Charm City: A Walk through Baltimore by Madison Smartt Bell
Light Box by K.J. Orr
Cain by Luke Kennard
The Beautiful Struggle by Ta Nehisi Coates
Everfair by Nisi Shawl
The Girl Who Drank the Moon by Kelly Barnhill
The Unspeakable: And Other Subjects of Discussion by Meghan Daum
The Iguana Tree by Michel Stone
Cannibal by Safiya Sinclair
The Barn at the End of the World by Mary Rose O'Reilly
Moonglow by Michael Chabon
One Child: the Story of China's Most Radical Experiment by Mei Fong
Version Control by Dexter Palmer
The Nix by Nathan Hill

The Noise of Time by Julian Barnes
Judas by Amos Oz
Sex Object by Jessica Valenti
Midwinter by Fiona Melrose

I'm going on my first silent retreat in April, so I wanted to read the Howd and O'Reilly in preparation. I'm headed to Baltimore soon and snagged the Bell and Coates for that purpose, but it turns out that the Chabon is also set there. I read the Orr for the Republic of Consciousness Prize, checked out the Kennard and Sinclair for the Dylan Thomas Prize list, the Barnhill and Shawl for the Nebula, the Chabon & Palmer & Hill for the Tournament of Books, the Melrose for the Baileys, and the Oz for the Man Booker International Prize.

The Fong is the April book for my in-person book club; the rest were just books I was interested in.

I review every book I read on Goodreads, and a hefty chunk of these are already done!

These piles are an eternal tribute to the library where I work, because all but one book comes from their collection or through the statewide consortium, or infrequently, an interlibrary loan.